Rabu, 23 November 2011

Battle: Los Angeles [Blu-ray + DVD Combo Pack] (Exclusive Steelbook Packaging) - Arron Eckhart (Blu-ray - 2011)

  • 1080p Hi-Def Blu-ray Transfer
  • Featurettes, Trailers and more bonus features!
  • EXCLUSIVE: Steelbook Packaging!
Witness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book learning who you ju! st know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out ham-fisted dialogue l! ike he really, really means it, while the rest of the cast is ! suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film.Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie officer with a lot of book! learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive job of spitting out h! am-fisted dialogue like he really, really means it, while the ! rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerWitness the end of civilization unfold as hostile alien invaders attack the planet. As people everywhere watch the world’s great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. Now it's up to a Marine staff sergeant (Aaron Eckhart) and his platoon to draw a line in the sand as they take on an enemy unlike any they’ve ever encountered in this epic sci-fi action film. Battle: Los Angeles is a war movie first, science fiction second. It's got it all: a burned-out retiring sergeant who gets drawn back in because, dammit, the Marines need him; the guy who's about to get married; the guy who's still a virgin; the guy suffering from shell shock and who just might crack; the newbie offi! cer with a lot of book learning who you just know is going to freeze under pressure and have to be shepherded by that burned-out sergeant, who learned his lessons on the battlefield… and so much more. There's not a moment in this movie you haven't seen before--the only twist is that the enemy is alien, so whatever shred of concern you might have for raining heavy artillery on a fellow human being can be cheerfully cast aside. But clichés are clichés because they are efficient and effective, and despite the profound familiarity of Battle: Los Angeles, there's no denying the movie rips along (though two-thirds of the way through you may have forgotten who was the virgin and who was the shell-shocked guy--but really, does it matter?). The look owes a debt to District 9, a hand-held, vérité grittiness, with most of the CGI carefully given a dingy, dirty look so that it meshes with the urban landscape. Aaron Eckhart (The Dark Knight) does an impressive! job of spitting out ham-fisted dialogue like he really, reall! y means it, while the rest of the cast is suitably generic. This is an unrepentant love letter to the military; many viewers, faced with the unsettling chaos and moral ambiguities of real wars, will find this mythologizing not only soothing, but even moving. --Bret FetzerStudio: Asylum Home Entertainment Release Date: 03/22/2011 Run time: 90 minutes Rating: NrMarine staff sergeant (aaron Eckhart, "The Dark Knight") and his platoon take on an enemy unlike any they've ever encountered when hostile alien invaders attack the planet in this epic science fiction action hit!

Civic Duty Women's Sensation CDL500 Sneaker,Navy Blue,9 M US

  • Tyvek is a breathable material made by DuPont that's water resistant and highly durable
  • Pre-wrinkled upper for a "worn" look right out of the box
Angry and depressed over losing his job, accountant Terry Allen (Peter Krause) begins to suspect his new, Middle Eastern neighbor is at the center of a terrorist conspiracy. Terry becomes obsessed about revealing the man's true identity and finally takes matters into his own hands ⦠with shocking results.Peter Krause (Six Feet Under) uses his everyman good looks to subversive effect in Civic Duty, an effective little thriller. Recently fired accountant Terry Allen (Krause) grows increasingly suspicious of his new neighbor, an Islamic student (Egyptian star Khaled Abol Naga) who keeps late hours. Allen's wife Marla (Kari Matchett, 24) believes he's being paranoid and their relationship crumbles under the pressur! e, which only leads Allen to obsess all the more about this possible terrorist--until he finally acts on his suspicions. As the confrontation escalates out of his control, Allen is forced deeper into a corner he never anticipated. Civic Duty is a lean, sinewy movie, making the most of its concise storyline and claustrophobic setting. Though the director tries perhaps a little too hard to insert some visual flash, this is essentially and actor's showcase. Krause, though not always the most expressive performer, does a good job of drawing the audience into his increasingly untrustworthy consciousness. Matchett and Naga turn in solid work, while Richard Schiff (The West Wing) is particularly strong as a doubtful FBI agent that Allen contacts. Civic Duty is more interested in psychology (and cinematic suspense) than politics, but it delves just enough into the issues around terrorism--What do we lose in the pursuit of security? What might drive a terrorist! to such horrific acts? How do we fight violence without being! consume d by it ourselves?--to give the movie some heft, something for an audience to chew on when it leaves. --Bret Fetzer

Famous Stars and Straps Men's Fallen Soldier Tee, Charcoal Heather, Large

Bratz - Rock Angelz

  • fun dancing and drama
BRATZ:MOVIE - DVD Movie Get your Bratitude on! Bratz, the life-action film featuring the four sassy tween-queen doll characters, drives home the kid- and (parent-) friendly messages of being true to yourself, and friendship above all else. If some kickass fashion and retail therapy help deliver those pearls of wisdom, who's going to complain?

The action centers on our favorite BFFs, Jade, Cloe, Sasha, and Yasmin, starting high school together at Carry Nation High, and navigating through the rigid clique system that seems destined to force the girls apart. Along the way, there are fireworks (created by brainy Jade in chem class), food fights, and lots of cute guys to crush on. Ruling over all: Meredith Baxter Dimly, the Baby Doc Duvalier of high-school politics, somehow managing to be student-body president for at least three years running (maybe the fact that! her pop is the principal has something to do with her anointment). Meredith, played to a scheming fare-thee-well by Chelsea Staub, is a formidable villain, but our girls realize nothing can come between true friends, if they just stick together. The climactic comeuppance scene--set at Carry Nation's annual talent show--will have Bratz fans clapping on their feet.

The film's soundtrack is upbeat and catchy, and features big names like the Black Eyed Peas and Ashlee Simpson, and the two show-stoppers sung by Staub as Meredith. And that's a Bratz-wrap! --A.T. HurleyBRATZ BABYZ:MOVIE - DVD MovieStudio: Lions Gate Home Ent. Release Date: 11/01/2011 Run time: 209 minutesWherever the Bratz Babyz go, adventure is sure to follow â€" so join Cloe, Sasha, Jade and Yasmin for their most rollicking escapade through the wilds of the mall!

When an older bully 'petnaps' a puppy belonging to twins Nora and Nita, their good friends, the Bratz Babyz spring into action! After! escaping day care and sneaking past mall security, the Babyz ! split in to two teams: one to try and trick the bully into parting with the puppy, and the other to round up the $50(!) that the bully wants for ransom. It's one adventure after another as they dive for coins in a fountain, perform in a karaoke contest and ultimately confront their foe. But will they free the puppy? One thing's for sure â€" anyone who teams up with the Bratz Babyz is bound to come out a winner!Bratz fashion dolls now have their very own animated feature film, starring four fashion-forward pals--Cloe, Yasmin, Jade, and Sasha--as they navigate the traumas of adolescence with attitudes as edgy as their cartoon caricatures. The film opens as the girls receive an art class assignment to "Express Yourself" through a video they jointly produce. The project creates a convenient backdrop for the storyline, which follows each girl in her quest for self-discovery. Sasha is stressed as head of the prom committee, while Yasmin goes undercover as the school newspaper's gossip colu! mnist. Jade nearly collapses from a fashion crisis, while Cloe is in search of the perfect mudpack makeover. There are boys, of course, and a conspicuous absence of adult role models. "Super slammin' good times" await preteen viewers interested in shopping, shoes, and spa treatments, but for those who want a film with substance, the search is on. (Ages 7 to 12) --Lynn GibsonThere's more girl power, cool fashion, and great music when the Bratz girls start their own teen magazine and go to London to become the Rock Angelz band! See them like never before in this feature length, CGI animated film.The super stylin’ Bratz are multicultural dolls with ultra-shiny hair, almond-shaped eyes, and enviably trim figures. Rock Angelz begins when Jade gets a job as an intern for Burdine Maxwell (Just Shoot Me's Wendy Malick), the evil stepmother-like editor of Your Thing. After she gets fired--through no fault of her own--Jade joins Yasmin, Cloe, and Sasha t! o start their own magazine. Along the way, they travel to Lond! on and f orm a band. The Bratz have even more of a "passion for fashion" than the classic (if less hip) Barbie and their new careers allow for some scorchin' wardrobe changes in this bouncy musical (CD sold separately). There isn't much substance to Rock Angelz, but the pace is brisk, the computer-generated look is vibrant--like Pixar animation crossed with Teen Vogue. The Bratz are joined on their adventures by the happy-go-lucky Bratz Boyz Dylan and Eitan. (Ages 7 to 12) --Kathleen C. Fennessy

Edmond

  • A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It s a first rate thriller from the legendary David Mamet. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 855280001700 UPC: 855280001700 Manufacturer No: FI0169DVD
A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It’s a first rate thriller from the legendary David Mamet.William H. Macy, a longtime collaborator of David Mamet, takes on one of Mamet's biggest, ugliest creations in the title role of Edmond. Edmond drops out of his ordinary life after a chance encounter with a fortune-teller, and cruises through a New York inferno that leads to murder. It also leads to a great deal of the clipped, counter-punching dialogue that Mamet is famous for, al! though at times the film plays like a monologue interrupted by peripheral blips on Edmond's skewed radar. Mamet's subject is the frenzied reaction of the modern male to the narrowing of his domain, a crisis that drives Edmond to the familiar touchstones of bar, peep show, and whorehouse, none of which provide the solace he thinks they should. The 2005 film is based on Mamet's 1982 play, and somehow the picture might have had more pop if it had been filmed closer to that time, when panicked masculinity was a fresher subject. And the text is a kind of dark, horrific fable that probably worked better in the stylized realm of the stage than on film. Stuart Gordon directs with a blunt forward motion that foregrounds the most unsavory aspects of the material (fans of his Re-Animator should note the presence of Jeffrey Combs as a snotty hotel clerk). Except for Macy, cast members come and go in the episodic flow, some of them (Joe Mantegna and Rebecca Pidgeon) identified wi! th Mamet's work. Julia Stiles plays the unfortunate waitress w! ho falls into Edmond's path, and Bai Ling, Denise Richards, and Mena Suvari are women of the night who want to charge Edmond too much money. But it's Macy's show, and he mercilessly gets inside Edmond's bad self: a monster of entitlement and self-delusion, given to epiphanies that lead nowhere except his own ego. --Robert Horton

The Education of Charlie Banks

  • Charlie Bank s (Jesse Eisenberg) sheltered world at his Ivy League campus is shaken up when Mick (Jason Ritter), an old acquaintance with a violent past, unexpectedly shows up at his dorm room. Intrigued by Charlie s privileged lifestyle, the charismatic Mick quickly wins over Charlie s friends and his crush, Mary (Eva Amurri) as he seamlessly integrates himself into Charlie s life. Unnerved, yet
The Education of Charlie Banks, which marks the directorial debut of Limp Bizkit's front-man Fred Durst, is a riveting tale about college students learning to deal with life, love, and ultimately facing their fears. This coming-of-age drama spans from the playgrounds of Greenwich Village to the idyllic greens of Vassar College.The nervous charisma of indie leading man Jesse Eisenberg (The Squid and the Whale, Adventureland) carries The Education of Charlie Banks, a story of! doomed ambition, hopeless yearning, and lingering guilt. When teenaged Charlie Banks (Eisenberg) witnessed a handsome bully named Mick (Jason Ritter, Freddy Vs. Jason) beat up two other boys, he tells the police--but then, feeling like a rat, withdraws his testimony so that Mick gets released. A few years later, when Mick suddenly appears at Charlie’s dorm for a visit, Charlie lives in dread that his betrayal will be revealed. But as Mick successfully woos the girl Charlie’s in love with, Charlie and Mick grown enmeshed in mutual envy and reluctant admiration. The Education of Charlie Banks aspires to be a preppy version of The Great Gatsby (just to make that clear, the characters twice make references to F. Scott Fitzgerald’s classic novel), peppered with philosophical allusions to Hannah Arendt and Jacques Derrida. Unfortunately, despite Charlie and Mick’s backstory, these kids just don’t have enough of a past to seem driven or haunte! d--they just flounder like any other bunch of boozing, horny c! ollege s tudents. Mick comes across as a junior-varsity Tom Ripley, more stalker than star-crossed. Still, it’s a surprisingly smooth-flowing movie from Fred Durst, the former lead singer of rap-metal band Limp Bizkit. Also featuring Eva Amurri (Saved!). --Bret Fetzer

Get to Know the Cast From The Education of Charlie Banks



Eva Amurri (Mary)


Jason Ritter (Mick)


Jesse Eisenberg (Charlie)


Stills from The Education of Charlie Banks  (Click for larger image)












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