Philips Rich Bass Neckband Headphones SHS5200/28 (Replaces SHS5200)

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THE STORY OF FOUR GENERATIONS OF MEN WHO ARE SUDDENLY BROUGHT TOGETHER BY THE CHAN! CE TO UNCOVER THE TRUTH ABOUT THEIR FAMILY'S PAST. THE JOURNEY WILL TAKE THEM OUT ON THE ROAD TO AWORLD FULL OF SURPRISES.Around the Bend concerns four generations of Lair men. There's eccentric patriarch Henry (Michael Caine), prodigal son Turner (Christopher Walken), bitter grandson Jason (Josh Lucas), and great-grandson Zach (Jonah Bobo). Shortly after Turner arrives in L.A. for a surprise visit, the ailing Henry dies. The remaining three take off on the road trip he had insisted on before his untimely passing. Jason is none too pleased--after all, his father ran out on him 30 years ago--but it was his Henry's dying wish. So there they are on the way to New Mexico, where long-buried secrets will finally be revealed. Heartwarming, if predictable, Around the Bend represents the softer side of its three leads and Walken is particularly effective in an uncharacteristic role (i.e., miles away from The Deer Hunter). His Turner is a bit odd, to be sure, but! mostly he's just a regular guy who's made a few--rather subst! antial-- mistakes. --Kathleen C. FennessyThis 2004 Warner Independent Pictures feature chronicles the reunion of four generations of men--from a great-grandfather to a young boy--who are reunited after many years. When the eldest dies, the remaining trio sets out to uncover a long-standing family secret. It becomes a road trip full of surprises, some comic, some dramatic, all moving and personal. Throughout, the film is enhanced by Golden Globe nominated composer David Baerwald's wonderful new score, as well as choice song selections from a collection of rock 'n' roll legends.

Thelma and Louise they're not.

First of all, Hilary and Rosemary Delaney are not friends--worse, they're mother and daughter. Hilary's a wayward thirty-something running from a marriage proposal, and Rosemary's her disapproving mother, a retired lawyer who can't drive and won't fly.

So they're driving together across country.

In a cherry-red Mustang.

With a potbellied p! ig named Reginald, and a life-size cutout of Rosemary's late husband.

Should be a fun trip.

As the miles tick by, Hilary ponders why the word "marriage" has her so terrified and finds she's got a lot to learn--about her mother, love and life in general. Together, Hilary and Rosemary will discover what's around the bend...if they don't drive each other crazy, or drive off a cliff first.



Thelma and Louise they're not.

First of all, Hilary and Rosemary Delaney are not friends--worse, they're mother and daughter. Hilary's a wayward thirty-something running from a marriage proposal, and Rosemary's her disapproving mother, a retired lawyer who can't drive and won't fly.

So they're driving together across country.

In a cherry-red Mustang.

With a potbellied pig named Reginald, and a life-size cutout of Rosemary's late husband.

Should be a fun trip.

As the miles tick by, Hilary ponders why the word "marriage" has! her so terrified and finds she's got a lot to learn--about he! r mother , love and life in general. Together, Hilary and Rosemary will discover what's around the bend...if they don't drive each other crazy, or drive off a cliff first.



Thelma and Louise they're not.

First of all, Hilary and Rosemary Delaney are not friends--worse, they're mother and daughter. Hilary's a wayward thirty-something running from a marriage proposal, and Rosemary's her disapproving mother, a retired lawyer who can't drive and won't fly.

So they're driving together across country.

In a cherry-red Mustang.

With a potbellied pig named Reginald, and a life-size cutout of Rosemary's late husband.

Should be a fun trip.

As the miles tick by, Hilary ponders why the word "marriage" has her so terrified and finds she's got a lot to learn--about her mother, love and life in general. Together, Hilary and Rosemary will discover what's around the bend...if they don't drive each other crazy, or drive off a cliff first.

B! e seen with this reflective neckband headphone that give you extra visibility - and safety -as well as great performance and comfort.

Hunger: A Gone Novel

• ISBN13: 9780061449086
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

Against all odds,! Katniss Everdeen has won the annual Hunger Games with fellow district tribute Peeta Mellark. But it was a victory won by defiance of the Capitol and their harsh rules. Katniss and Peeta should be happy. After all, they have just won for themselves and their families a life of safety and plenty. But there are rumors of rebellion among the subjects, and Katniss and Peeta, to their horror, are the faces of that rebellion. The Capitol is angry. The Capitol wants revenge.With Hunger, British filmmaker and artist Steve McQueen has turned one of history’s most controversial acts of political defiance into a jarring, unforgettable cinematic experience. In Northern Ireland’s Maze prison in 1981, twenty-seven-year-old Irish Republican Army member Bobby Sands went on a hunger strike to protest the British government’s refusal to recognize him and his fellow IRA inmates as political prisoners, rather than as ordinary criminals. McQueen dramatizes prison existence and Sa! nds’ final days in a way that is purely experiential, even a! bstract, a succession of images full of both beauty and horror. Featuring an intense performance by Michael Fassbender, Hunger is an unflinching, transcendent depiction of what a human being is willing to endure to be heard.

Stills from Hunger

With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, B! ritain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show wh! at it was like to see, hear, smell, and touch in the H-Block."! Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sudden violence, and the splendor of the static shot. --Kathleen C. Fennessy

It's been three months since all the adults disappeared. Gone.

food ran out weeks ago and starvation is imminent. Meanwhile, the normal teens have grown resentful of the kids with powers. And when an unthinkable tragedy occurs, chaos descends upon the town. There is no longer right and wrong. Each kid is out for himself and even the good ones turn murderous.

But a larger problem looms. The Darkness, a sinister creature that has lived buried deep in the hills, begi! ns calling to some of the teens in the FAYZ. Calling to them, guiding them, manipulating them.

The Darkness has awakened. And it is hungry.

Che Part One

• blockbuster exculsive

Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero, Che paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Che's failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a sti! rring account of guerrilla action (it also has the bonus of De! mian Bec hir's uncanny impersonation of Fidel Castro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in! which he's being turned into a celebrity during his NYC interlude. In short, Che is a very intriguing idea for a movie, and not a terribly engaging film. --Robert HortonREVISED AND UPDATED THROUGHOUT

Jon Lee Anderson's definitive and acclaimed biography of Che Guevara manages to transcend the myth of Che and portray in unrivaled detail a complicated human being. In his quest to discover who the real Che was, Anderson moved to Havana and gained unprecedented access to the personal archives maintained by Che's widow. He spent months with Che's old friends in Argentina, where Che was born into an aristocratic family and went to medical school. He interviewed Che's comrades from battles fought in Cuba and the Congo and Bolivia, and he talked to figures on both sides of the Cold War, in Moscow and in the CIA.

The book completes the epic saga of an extraordinary life. In 1995, Anderson broke the story of how Che's body had been secretly hidden after his! assassination in Bolivia in 1967. He recounts how the body wa! s finall y recovered, thirty years after the murder, brought back to Cuba, and interred in the place Che had won his most famous battle in the Cuban revolution. Meticulously researched, Anderson's book reveals many details of Che's life that were long cloaked in secrecy and intrigue. This edition, which has been carefully revised and updated, has a new introduction and epilogue, new maps, and a new chronology of Che's life.Even to those without Marxist sympathies, Che Guevara (1928-67) was a dashing, charismatic figure: the asthmatic son of an aristocratic Argentine family whose sympathy for the world's oppressed turned him into a socialist revolutionary, the valued comrade-in-arms of Cuba's Fidel Castro and a leader of guerilla warfare in Latin America and Africa. Journalist Jon Lee Anderson's lengthy and absorbing portrait captures the complexities of international politics (revolutionary and counter); his painstaking research has unearthed a remarkable amount of new materi! al, including information about Guevara's death at the hands of the Bolivian military.Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero,CHE paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Ches failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a stirring account of guerrilla action (it also has the bonus of Demian Bechir's uncanny impersonation of Fidel Cas! tro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in which he's being turned into a celebri! ty during his NYC interlude. In short, Che is a very in! triguing idea for a movie, and not a terribly engaging film. --Robert Horton

The book of the new, two-part epic movie on Che Guevara starring Benicio Del Toro as the legendary revolutionary.

Director Steven Soderbergh has based his two-part movie "Che" (Part 1: The Argentine and Part 2: Guerrilla) on two classic diaries written by Che Guevara: Reminiscences of the Cuban Revolutionary War (an account of the guerrilla movement led by Fidel Castro that overthrew the Batista dictatorship in 1959) and Bolivian Diary (Che’s famous, unfinished diary discovered in his backpack when he was captured and killed in Bolivia in October 1967).

Che includes a selection from each book, showing the young Argentine’s evolution from the wide-eyed medical student of the Motorcycle Diaries-era to the revolutionary hero the world knows as Che.

Features:

• Key excerpts from Che’s Reminiscences of the Cuban R! evolutionary War, his final Bolivian Diary, and his fiery address to the UN General Assembly, New York in December 1964.
• Che’s first encounter with Fidel Castro in Mexico, when he immediately commits himself to join the guerrilla expedition to Cuba.
• The dramatic moment when Che has to decide his future either as a doctor or a guerrilla fighter, symbolized by the choice of two backpacks: one with medicine, the other with ammunition.
• Che’s poetic letter to his parents before he sets out on the fateful Bolivia mission.
• Maps, chronology, and a useful glossary.
• 24 pages of original photos from the period
• Movie tie-in cover.
• Blurbs by Benicio del Toro and Steven Soderbergh.

Also published in Spanish this season is Che: Los Diarios de Ernesto Che Guevara, 978-1-921235-48-1.

benicio de toro

Bad Boys [Blu-ray]

• Condition: New
• Format: Blu-ray
• Color; Dubbed; Subtitled; Widescreen

Studio: Sony Pictures Home Ent Release Date: 12/29/2009Bad Boys
Slick to a fault, this glossy action flick takes place in sunny Florida, where Martin Lawrence and Will Smith play two cops--one married with kids, the other a swinging bachelor. The two are forced to trade places to foil criminal mastermind Fouchet (Tchéky Karyo) who has stolen $100 million worth of heroin from a police lockup. Violent, illogical, and filled with wall-to-wall profanity, Bad Boys was the last film produced by the hit-making team of Don Simpson and Jerry Bruckheimer before Simpson's untimely death, and marked the directorial debut of Michael Bay who followed up with The Rock. Bad Boys will be of interest to action buffs and fans of Téa Leoni, who makes one of her early screen appearances ! in the central supporting role. --Jeff Shannon

Bad Boys II
No one goes to a movie directed by Michael Bay for delicacy and grace; you go because Michael Bay (Armageddon, The Rock) knows how to make your bones rattle during a high-speed chase when a car flips over, spins through the air, and smacks another car with a visceral crunch. Bad Boys II fulfills this expectation and then some. Will Smith and Martin Lawrence may be mere puppets amid all this burning rubber and shrieking metal, but they actually provide a human core to the endless cascade of car wrecks and gunfights. Their easy rapport makes their personal problems--a running joke is Lawrence's attempts at anger management--as engaging as the sheer visual hullabaloo of bullets and explosions. The plot is recycled nonsense about drug lords and dead bodies being used to smuggle drugs, but orchestration of violence is symphonic. If that's your thing, then this is for! you. --Bret FetzerMiami cops Marcus Burnett, a family ! man and Mike Lowry, a ladies' man are given 72 hours to regain drugs stolen from their police station; matters are complicated when they have to pretend to be each other.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 27-MAY-2003
Media Type: DVDA cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a te! rrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane BAD BOYS - DVD MovieSean Penn delivered a star-making one-two punch in the early '80s, debuting as stoner Jeff Spicoli in Fast Times at Ridgemont High and turning up only a few months later, all but unrecognizable, as a steel-nerved teenage convict in this raw, powerful prison drama--and both performances hold up remarkably well. While the story line of Bad Boys has the familiar contours of classic jailhouse melodrama (Penn's fearless Mick stands tall against a bullying Latino gang boss played by Esai Morales), the sense of tightly wound raw force the actor conveys is so convincing that it's actually a little scary. It goes way beyond the blunt-force impact of a standard action star; Mick's acts of violence are expressions of personality, practically eruption! s of his life force. The authenticity of this portrayal is rei! nforced by the closely observed production design: the youth-prison set is so cunningly textured that many moviegoers took it for the real thing. Ally Sheedy also made her film debut in Bad Boys, as the girl Mick leaves behind on the outside. --David Chute From director Michael Bay (The Rock, Armageddon) and the production team of Don Simpson and Jerry Bruckheimer (Beverly Hills Cop, Top Gun) comes a thrill ride of explosive action from beginning to end. Will Smith and Martin Lawrence team up as partners in crime, crime-fighting that is, in this action-packed flick about a couple of good guys who are real Bad Boys One hundred million dollars worth of confiscated heroin has just been jacked from police custody. Once the career bust of Detective Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence), the missing drugs now threaten to shutdown the narcotics division of the Miami Police Department. When the drug investigation turns! deadly, the murderers kidnap the only witness, a beautful police informant (Tea Leoni) and close friend of the boys, which makes things get personal! Fast cars, a gorgeous woman and non-stop action make Bad Boys a guaranteed good time!A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter f! lies at a faster clip than the bullets and explosions, and bec! omes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane

Marvel Heroes Collection (Daredevil/Elektra/X-Men/ X2/X-Men 3: The Last Stand/ Fantastic Four & Fantastic Four: Rise of the Silver Surfer)

• Disc 1: X-MEN; Disc 2: X2 X-MEN UNITED; Disc 3: X-MEN 3:THE LAST STAND; Disc 4: FANTASTIC FOUR;

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effort to save our planet!Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the p! reparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenance.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a ! normal family life. (That, and whether they'll ever really get! married , of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

Fantastic Four: Rise of the Silver Surfer Extras


View exclusive clips (including interviews with Fantastic Four Creator Stan Lee and Screenwriter Don Payne), download AIM icons and wallpapers and browse the extensive photo gallery at our Fantastic Four: Rise of the Silver Surfer minisite.

Beyond Fantastic Four: Rise of the Silver Surfer

Fantastic Four Toys & Games

Fantastic Four Paperback Series

Fantastic Four Comics & Graphic Novels

Fantastic Four Video Games

Fantastic Four Posters, Stickers and More

Fantastic Four Apparel

More of the Four on DVD

Fantastic Four Extended Cut

The Fantastic Four Animated Series

Fantastic Four on Blu-Ray

Stills from Fantastic Four: Rise of the Silver Surfer

Catch a wave of "terrific adventure" and "non-stop action" (CBS-TV) in this fun and fantastically entertaining smash-hit! "Invisible Woman: Sue Storm and "Mr. Fantastic" Dr. Reed Richards are about to be married when a mysterious alien... the Silver Surfer... crashes the proceedings and heralds Earth's impending destruction. With time running out, the Fantastic Four reluctantly teams up with the nefarious Dr. Doom in a thrilling effor! t to save our planet!Fantastic Four: Rise of the Silver Sur! fer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancée, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right. The disturbances are caused by a surge of cosmic power from a mysterious being called the Silver Surfer (an all-CGI creation, modeled by Doug Jones and voiced by Laurence Fishburne), who not only zooms around the skies on his board, but also has enough power to fight the FF, sometimes by turning their own power against them, not only mixing up Sue and Reed, but also Johnny Storm, the Human Torch (Chris Evans), and Ben Grimm, the Thing (Michael Chiklis). But that's not the worst of it. The Surfer is only an opening act, a herald looking for planets that his master, Galactus, can consume for his sustenan! ce.

With its initial installment, Fantastic Four established itself as the superhero franchise that didn't take itself too seriously, and that continues here. There are numerous moments of laugh-out-loud humor, and the most angst they suffer is whether Sue and Reed will ever be able to live a normal family life. (That, and whether they'll ever really get married, of course.) If Fantastic Four were a normal superhero franchise, the ending would be a knock-down drag-out war with Galactus, featuring the FF in a colossal battle for the planet Earth and the lives of everyone on it. Fantastic Four: Rise of the Silver Surfer… just doesn't do that, and we don't quite get the payoff we expected. Effects are dazzling, but the Surfer looks too metallic, more like a skyriding T-1000 robot. --David Horiuchi

View Stills from the Blu-Ray's Exclusive Games (Click for larger image):

!

• Disc 1: X-MEN WS
• Disc 2: X2 X-MEN UNITED SE WS
• Disc 3: X-MEN 3:THE LAST STAND WS
• Disc 4: FANTASTIC FOUR WS
• Disc 5: FANTASTIC FOUR 2 WP
• Disc 6: DAREDEVIL DC WS
• Disc 7: ELEKTRA WS
• Disc 8: Fantastic Four: World’s Greatest Heroes Volume 1 P&S

The Education of Charlie Banks

• Charlie Bank s (Jesse Eisenberg) sheltered world at his Ivy League campus is shaken up when Mick (Jason Ritter), an old acquaintance with a violent past, unexpectedly shows up at his dorm room. Intrigued by Charlie s privileged lifestyle, the charismatic Mick quickly wins over Charlie s friends and his crush, Mary (Eva Amurri) as he seamlessly integrates himself into Charlie s life. Unnerved, yet

The Education of Charlie Banks, which marks the directorial debut of Limp Bizkit's front-man Fred Durst, is a riveting tale about college students learning to deal with life, love, and ultimately facing their fears. This coming-of-age drama spans from the playgrounds of Greenwich Village to the idyllic greens of Vassar College.The nervous charisma of indie leading man Jesse Eisenberg (The Squid and the Whale, Adventureland) carries The Education of Charlie Banks, a story of! doomed ambition, hopeless yearning, and lingering guilt. When teenaged Charlie Banks (Eisenberg) witnessed a handsome bully named Mick (Jason Ritter, Freddy Vs. Jason) beat up two other boys, he tells the police--but then, feeling like a rat, withdraws his testimony so that Mick gets released. A few years later, when Mick suddenly appears at Charlie’s dorm for a visit, Charlie lives in dread that his betrayal will be revealed. But as Mick successfully woos the girl Charlie’s in love with, Charlie and Mick grown enmeshed in mutual envy and reluctant admiration. The Education of Charlie Banks aspires to be a preppy version of The Great Gatsby (just to make that clear, the characters twice make references to F. Scott Fitzgerald’s classic novel), peppered with philosophical allusions to Hannah Arendt and Jacques Derrida. Unfortunately, despite Charlie and Mick’s backstory, these kids just don’t have enough of a past to seem driven or haunte! d--they just flounder like any other bunch of boozing, horny c! ollege s tudents. Mick comes across as a junior-varsity Tom Ripley, more stalker than star-crossed. Still, it’s a surprisingly smooth-flowing movie from Fred Durst, the former lead singer of rap-metal band Limp Bizkit. Also featuring Eva Amurri (Saved!). --Bret Fetzer

Get to Know the Cast From The Education of Charlie Banks

Eva Amurri (Mary)

Jason Ritter (Mick)

Jesse Eisenberg (Charlie)

Stills from The Education of Charlie Banks  (Click for larger image)