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From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
Transcendence can come in many forms. For Mary Rose Oâ! €™Reilley a year tending sheep seemed a way to seek a spirituality based not on Â"climbing out of the body†but rather on existing fully in the world, at least if she could overlook some of its earthier aspects. The Barn at the End of the World follows O’Reilley in her sometimes funny, sometimes moving quest. Though small in stature, she learns to Â"flip†very large sheep and help them lamb. She also visits a Buddhist monastery in France, where she studies the practice of Mahayana Buddhism, dividing her spare time between meditation and dreaming of French pastries.
Author Mary Rose O'Reilley is decidedly eclectic. She confidently blends sheep tending with her Quaker background as well as her passion for Mahayana Buddhism (a form of Buddhism taught by Vietnamese monk Thich Nhat Hanh). This may sound like the recipe for a soup of spiritual mush, but nothing could be further from the truth. Like Anne Lamott, O'Reilley also happens to be a hysterically funny st! oryteller who understands the importance of humility when wri! ting spi ritual autobiography. (One reviewer called O'Reilley a "social anthropologist from the Planet Mongo, a stand-up mystic going for the belly laugh...")
Whether she's talking about grief over dying lambs, the plague of Monkey Mind, flipping sheep, or a barnyard fashion crisis, O'Reilley keeps her metaphors down to earth and her epiphanies humble. The structure is especially inviting: a collection of brief essays of only about three to five pages each. But this collection also reads like a journey with a beginning and an end. It starts with O'Reilley as a college professor who decides to try some part-time animal husbandry at a local farm and ends with her finding a new direction in life that we can only hope will inspire her to write a sequel. --Gail Hudson
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bo! bby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to fathe! r Clare's child. Then, when Clare and Bobby have a baby, the t! hree mov e to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
With score composed by famed singer/songwriter Duncan Sheik, A Home At The End Of The World also features songs from the '60s and '70s through the '80s, including tracks by Jefferson Airplane, Bob Dylan, The Band, Yaz, Patti Smith, Paul Simon, Leonard Cohen, Laura Nyro and more. Sheik's emotional score captures the essence of the characters' journeys through their lives and the relationships they develop along the way.Adapted from the novel/screenplay of Pulitzer Prize winner Michael Cunningham (
The Hours), Colin Farrell gives an inspired performance as a tragedy-stricken youth whose search for identity and happiness forms the core of its unconventional friendship and romance. Its warm, admirably eclectic song-based soundtrack ec! hoes the film's two decade arc with selections that span both era and emotion, from the innocence of Dusty Springfield's "Wishin' and Hopin'" and Yaz' infectious "Only You" to the angst-ridden classic rock-era bookends of "Somebody to Love" by the Jefferson Airplane and Patty Smith's epochal "Because the Night." The score's classical selections continue that thread with excerpts from Mozart's
Cosi Fan Tutte and contemporary minimalist Steve Reich's vibrant
Music for Eighteen Musicians. But it’s the half-dozen warm, introspective new tracks from Duncan Sheik that form the soundtrack's evocative emotional core, with melancholic, production-rich standouts like "Something Somewhere" infusing it with a smart, contemporary atmosphere in the bargain.
--Jerry McCulleyJust when he s needed most Captain Jack Sparrow (Johnny Depp) that witty and wily charmer of a pirate is trapped on a sea of sand in Davy Jones Locker. In an increasingly shaky alliance Will ! Turner (Orlando Bloom) Elizabeth Swann (Keira Knightley) and C! aptain B arbossa (Geoffrey Rush) begin a desperate quest to find and rescue him. Captain Jack s the last of the nine Pirate Lords of the Brethren Court who must come together united in one last stand to preserve the freedom-loving pirates way of life. From exotic Singapore to World s End and beyond from Shipwreck Island to a titanic battle this adventure s filled with over-the-edge action irreverent humor and seafaring myth and magic. Everything has led to this twisting turning wild swashbuckling ride in this final chapter of the Pirates Of The Caribbean trilogySystem Requirements:Run Time: 165 minutesFormat: DVD MOVIE Genre:Â ACTION/ADVENTURE Rating:Â PG-13 UPC:Â 786936293012 Manufacturer No:Â 04099100
Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier
Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading C! ompany, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!
In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' ! much ballyhooed appearance as Jack's dad is little more than a! cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley
On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" ! for supposedly nailing his scenes.
The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley
Beyond Pirates of the Caribbean: At World’s End
Our Pirates of the Caribbean Store 
Pirates of the Caribbean: Curse of the Black Pearl | 
Pirates of the Caribbean: Dead Man’s Chest |
Pirates of the Caribbean: At World’s End Soundtrack | 
Why We Love… Bill Nighy | 
Johnny Depp Essential DVDs |
Stills from Pirates of the Caribbean: At World’s End (click for larger image) 
Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. 
